It’s quite disconcerting when people in the theater laugh at something they’re supposed to laugh at — even if it isn’t funny. That’s the way I felt during the entire two-hour running time of Garry Marshall’s New Year’s Eve, his “superior” sequel to 2010’s Valentine’s Day (though that isn’t saying very much). I don’t know,…
Set in Elandsdoorn, a rural township in the province of Mpumalanga, South Africa, director Oliver Schmitz has painted an indelible portrait of a twelve-year-old girl’s resilience in the face of poverty, ignorance, and disease. The film, Life, Above All, was South Africa’s entry in the Oscar’s Best Foreign Film Category and appropriately received a ten-minute…
It’s been a good year for Peter Mullan. His superb Neds, released earlier this year, was a tough, semi-autobiographical tale of growing up in Glasgow and pulled no punches. Mullan’s character here, Joseph, is built from similar stock. Transplanted to Leeds, Joseph is alone. His wife has died, and he’s just kicked his dog to…
Love is about holding on to someone, but it is also about knowing when to let go. This theme defines Jean-Marc Vallée’s Café de flore, his second film since the 2005 hit C.R.A.Z.Y., and one of the most poignant films in recent memory. Not only does Café de flore repeat Vallée’s earlier success, but goes…
The primary creative force behind Lady Magdalene’s, J. Neil Schulman, may be somewhat of a successful novelist, but he cannot in good conscience add filmmaking to his list of credentials. While Schulman wants you to believe that Lady Magdalene’s is a smart action-comedy satirizing today’s post-9/11 climate, the resulting picture is actually an agonizing catastrophe;…
Relaxing at night, after a hard day at work and a few hours online, tending to emails, website modifications, correspondence, and creative things, amongst the best things to do, if too tired to read a book, is to watch a film. But, not a fictive film, but a documentary where, even if the film is…
When viewing the primal landscape of the beautiful country of Rwanda, it is hard to imagine that only a short time ago the land was awash with the blood of 800,000 people. No film more fully captures the residual pain resulting from the 1994 genocide than Munyurangabo, an intimate and deeply moving first feature from…
