The Ledge was screened in New York during a stand-off between supporters and opponents of gay marriage; some journalists even believed that the city, which was one vote away from legalizing marriage equality, was on the heels on “anarchism.” Luckily, it never came that far. Coincidentally, the film, Matthew Chapman’s directorial debut (he also pens…
Garfield: A Tail of Two Kitties. It gave me an allergic reaction. I suppose if I had cared anything for the original live-action Garfield (based on Jim Davis’ once-popular comic strip, from 2004), I would have liked this one better. Suffice it to say, however, if you have children, there are certainly worse movies you…
The Battle of Iwo Jima was fought mainly between United States Marines and the Empire of Japan during February and March of 1945, during the Pacific Campaign of World War II. As a result of the battle, the United States gained control of the island, and the airfields located there. The battle is most famous,…
Most scripts are divided into three acts: The setup, which introduces characters, plot-points, and locales; the confrontation, where both the antagonist and protagonist’s strengths and weaknesses are further examined — complicating the problem at hand — and finally; the resolution, which concludes the aforementioned conflicts. Larry Crowne, a love-story between an ex-Navy serviceman and his…
Generally, writers try to change the world. We think of ourselves as omnipotent while stroking prickly beards, sipping on aged wine and puffing down on fine cigars. This will be my magnus opus, we think to ourselves. Though, as luck would have it, many of these ideas go up in smoke (the others are publically…
It wasn’t so long ago that Korean/Japanese horror was the fertile hunting grounds for studios looking to make a quick buck. The Ring, The Grudge, The Eye, Mirrors and countless others are all products of the Hollywood makeover spa. Today those hunting grounds have seemingly moved to Scandinavia. Let the Right One In was recently…
Actor-come-filmmaker David Schwimmer’s sophomore theatrical effort as a director, 2010’s Trust deals with sensitive, challenging subject matter that most directors would refuse to touch with a 20-foot pole. Armed with a timely significance and a relevant message pertaining to the dangers of the World Wide Web, this is a powerful and provocative independent drama with…
