Comedy

Movie Review: The Browsing Effect (2018)

The Browsing Effect is movie that explores how technology has changed the way we begin and behave in relationships. With dating apps like Tinder or Bumble, it makes it easier than ever to meet someone. But of course there is a cost to all these apps, since it brings a measure of casualness into the…

Movie Review: Fighting With My Family (2019)

Fighting With My Family is a film of weird elements: The city of Norwich, England; wrestling, with all its “fixed but not fake” performances, alternative names and larger than life personalities; a very human and indeed true story of both pursuing and losing out on a dream. Based on the story of Saraya Knight aka…

Movie Review: Dead Ant (2017)

B-movies are a dime a dozen nowadays, thanks to the increasingly strengthening stream of easier distribution paths and the prolificacy of cut-rate digital effects solutions, so it’s tough to sift through the rubble of bargain bin trash to find any gems anymore. The label simply isn’t what it used to be, now sullied by the…

Movie Review: Under the Eiffel Tower (2018)

For a film ostensibly about people in the throes of existential crises, the characters in Under the Eiffel Tower still make a show of enjoying life’s simple pleasures. But not even classic romantic comedy clichés, the beautiful French landscape, market day montages, plates of good food, glasses of better wine, parties al fresco, acoustic guitar…

Movie Review: Stan & Ollie (2018)

By the 1950s, Hollywood’s Golden Age was waning, its studio system crumbling in favor of “New Wave” films and younger visionaries. The wholesome names of the 1920s and ’30s were now the distant past, though their legacies would be cemented among Hollywood’s greatest. Nevertheless, pressing on amid this sweeping change were two iconic personalities of…

Movie Review: Anna and the Apocalypse (2018)

Off the top of your head have you ever wondered when the next zombie Christmas musical would launch for your seasonal enjoyment? Well, one would have to look no further than the John McPhail (“Where Do We Go From Here?”) directed Anna and the Apocalypse, a festive zom-com spectacle with a sense of bloody cheekiness….

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