Comedy

Movie Review: Marriage Story (2019)

“What love actually is, is the experience that someone else is all right exactly the way they are.” — Werner Erhard Noah Baumbach’s (“The Meyerowitz Stories”) Marriage Story is a penetrating look at the spiraling effect of divorce American style on those involved, one that radiates compassion for its beleaguered characters Nicole (Scarlett Johansson, “Avengers:…

Movie Review: Charlie’s Angels (2019)

Gone are the days of 1970s-style “Jiggle TV” . . . you know, that endearing media term reserved for the boob-tube, pop-cultural guilty pleasure that the late mega-television producer Aaron Spelling eagerly supplied to prime time viewers? With it, the ABC network struck a goldmine with the curvy, cops-turned-private investigators from the Townsend Agency in…

Movie Review: Last Christmas (2019)

Ah, Christmas. A time of Hallmark cinematic splendor, candy canes, and Bath and Body Works candles, it truly can be (to some) the most wonderful time of the year. But what does Hollywood have to offer? Well, with cheaper competition from Netflix and Hallmark, there aren’t as many Christmas-themed gifts put under the movie theater…

Movie Review: Little Monsters (2019)

As lazy and obvious a comment as this is, Little Monsters is the Australian answer to “Shaun of the Dead.” From the interweaving of domestic and personal issues with the problems of a zombie outbreak, to the referential rendering of the undead and how they operate, writer-director Abe Forsythe displays a snappy wit, a warmth…

Movie Review: Harpoon (2019)

Rob Grant’s Harpoon is another entry in the perennial argumentative-people-stranded-on-a-boat sub-genre, and it’s a cut above the average. It is, however, a stranger to subtlety, and juvenile at times, but it’s never boring and consistently bold in its narrative choices. Take the opening scene for example. Richard (Christopher Gray, “The Mist” TV series) storms over…

Movie Review: Parasite (2019)

South Korean director Bong Joon-ho (“Okja”) says that he always tries to overturn viewer expectations and hopes that his latest film succeeds in this way. Palme d’Or winner at the 2019 Cannes Film festival, Bong’s Parasite (Gisaengchung) does indeed thwart expectations, but the question is — to what end? Defying any strict genre classification, the…

Movie Review: Corporate Animals (2019)

As far as random indie comedies starring a mix of rising and veteran stars go, the darkly silly Corporate Animals is a surprisingly digestible serving of oddball nonsense. For starters, it concerns itself with a team-building retreat that goes awry when employees of a company that makes edible utensils are suddenly forced to consider each…

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