Whitaker Lader

Movie Review: The World to Come (2020)

Whenever I find myself looking at the treasured imagery of the American Frontier, there’s always a bittersweetness that washes over. Perhaps it is the grandeur of the mountains looming against the most idyllic of cottages, but there’s this sense of melancholy that’s fascinating to explore. One such example comes in the form of Mona Fastvold’s…

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