Movie Review: Doctor Strange in the Multiverse of Madness (2022)

In 2002, the superhero genre achieved an ideal form in “Spider-Man,” which built upon aspects from the Superman and Batman franchises as well as 1998’s “Blade” and 2000’s “X-Men.” Over the subsequent two decades, the genre developed and expanded, but a consistent aspect throughout is the cinematic expression of the experience of superpowers. This was…

Movie Review: The Power of the Dog (2021)

“You see, evil always contains the seeds of its own destruction. It is ultimately negative, and therefore encompasses its downfall even at its moments of apparent triumph” — Neil Gaiman In the opening of the film, The Power of the Dog, Peter Gordon (Kodi Smit-McPhee, “Dark Phoenix”), a Montana cattle rancher’s future nephew, whispers in…

Movie Review: After Yang (2021)

“I wanna be just like a melody, just like a simple sound, like in harmony” — Glide from “All About Lily Chou-Chou” Projections of the future in cinema have mainly foreseen a world where war, disease, and pervasive alienation are the norm. Korean-born writer/director Kogonada’s vision of the future, however, is not a dystopian world…

Movie Review: The Batman (2022)

It begins with rapid titles. “WB,” “DC,” The Batman, all flash up on screen quickly, before an opening point-of-view shot through binoculars takes in a well-dressed man in an opulent mansion. Watching, observing, planning and judging, this extended shot is unsettling in its voyeurism, especially as the viewer shares the perspective of this watcher, who…

Movie Review: C’mon C’mon (2021)

If your children suggest that you operate within “your zone of resiliency,” you might want to look into what soap opera they’ve been watching, or whether they have gotten their hands on a convoluted movie script, the sort readily available in Mike Mills (“20th Century Women”) C’mon C’mon, a film inspired by Mills’ relationship with…

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