Lance (Patrick Schwarzenegger, “Daniel Isn’t Real”), an unemployed college graduate travels to Chicago at the behest of a cousin and the promise of a job only to be drawn into a tight-knit cadre of millennials who express their frustrations at a broken system by robbing rich people. The viewpoint of these criminal masterminds is that…
Earth’s delicate balance is a theme that pervades the modern ecology movement, and the potential disruption of this balance is the prime factor behind the fear of global warming and overall climate change among professional biologists, amateur naturalists, and concerned citizens. Fantastic Fungi, an 80-minute documentary, attempts to contribute to the public discourse by presenting…
Neil Marshall has had a patchy career. From his riotous debut “Dog Soldiers” (re-issued in 2020) to his claustrophobic caving classic “The Descent,” his filmography sunk (or descended) into the highly derivative and uneven “Centurion” and “Doomsday,” before he applied his talents to television with “Game of Thrones” and “Hannibal,” among others. After the disastrous…
The Democratic National Convention met in Chicago in August 1968 to choose their presidential candidate in a tumultuous year that saw the assassinations of Martin Luther King and Robert Kennedy, the passage of the Civil Rights Act, Prague Spring, and growing protests in cities around the world against the escalation of the Vietnam War. Although…
The slasher film and stand-up comedy have some commonalities. Both rely on suspense and release, in one case the release being laughter and in the other, fear. Both can build up suspense with short sequences, be that a feedline/punchline structure or a jump scare; both can also escalate tension with a long form story leading…
Cinema can have a suffusive effect. Through a particular combination of image and sound, a film can feel as though it is breathing out and enveloping you with its influence. This can be the case with dreamy romances, where you are brought into the (potentially cloying) environment of overpowering love. It can also work for…
Christopher Smith is a modern-day horror maestro. From his feature debut “Creep” through “Severance” and “Black Death,” with forays into other genres, he has demonstrated his ability to make effective genre films. The Banishing is a very fine horror: A slow burn, drip feed delivery of menace and dread that also explores issues of repression…
