Uwe Boll (which is German for “Appalling Filmmaker”) has made a living over recent years (and has angered a great deal of people) by transforming beloved video game properties into epically awful movies. As a result, the cultural landscape has become tragically cluttered with unwatchable motion pictures such as House of the Dead, BloodRayne, Alone…
If you’re familiar with low-budget horror flicks and/or video-game-to-movie adaptations, chances are you’ve heard of Uwe Boll. Even if you’re not familiar with Boll’s cinematic output, you’ve more than likely heard opinions on the guy’s work, and, in all likelihood, those opinions have not exactly been complimentary. If Boll’s work and name is a mystery…
One must admit, it takes serious guts to entitle a film The Losers, since lame jokes are just begging to be cracked. Already, the critics who panned this appalling motion picture have utilized the obvious, “The losers are in fact the audience” in addition to the also obvious, “What were you expecting? It’s called The…
Much like Duncan Jones’ freshman endeavor, Moon, a film that was eclipsed (pun intended) at first, but which then skyrocketed to unprecedented levels of success during award season, Source Code is a cerebral thriller that takes an unorthodox approach to popcorn cinema. The similarities don’t end there, however; although both films were penned by different…
At first glance, Tomorrow, When the War Began — the filmic adaptation of the hugely popular teen fiction novel by John Marsden — appears to be a cheap Australian amalgam of Red Dawn and The Breakfast Club. Despite these superficial observations, this directorial debut for Stuart Beattie is a thrilling character-driven action-adventure film, and a…
The Horseman is an Australian addition to the long line of “vigilante dad” films that stretch back to Ingmar Bergman’s The Virgin Spring, in which a father — normally either a widower or a divorcee — is made a tad nutty by grief, and begins ruthlessly slaughtering those responsible for a crime against a loved…
Not everyone may share the same opinion, but this reviewer immensely enjoyed Paul W.S. Anderson’s Death Race. It’s cinematic junk food, sure, but the big dumb fun aspect and the expert action sequences made it easy to dismiss the cold critical heart in this reviewer’s chest and forget that critics are supposed to hate exploitation…
