Brandon Sullivan (Michael Fassbender) has an addiction. He does not struggle against it, seek therapy to cure it, or deny its existence; he learns to cope with it and attempts to shape his life around it to create routine and give it space. Brandon is addicted to sex but appears to be a bit more…
If Kenneth Lonergan’s Margaret, his first film since You Can Count on Me, establishes anything it is that unless we can acknowledge responsibility and forgive ourselves for any real or perceived wrongdoing, we are caught in an endless cycle of denial and recrimination, potentially causing great damage to ourselves and others by internalizing our guilt….
Like many movie snobs and deadbeat critics, I too studied film. As a consequence, I’ve met a number of hacks — among them was a young man who tried to emulate classic cinema. Everything from the scores he used, to his cinematography and narratives were brined in dust and had an air of pretentiousness. Usually,…
High school: You either loved it or you hated it. If you were a star athlete, gorgeous cheerleader, or the kid who had an open house and unmatched access to alcohol, I’m sure you’ve nothing but fond memories. Personally, as a dork, I don’t miss it in the slightest, yet, embarrassingly enough, I still wonder…
Set in Elandsdoorn, a rural township in the province of Mpumalanga, South Africa, director Oliver Schmitz has painted an indelible portrait of a twelve-year-old girl’s resilience in the face of poverty, ignorance, and disease. The film, Life, Above All, was South Africa’s entry in the Oscar’s Best Foreign Film Category and appropriately received a ten-minute…
Nothing — and I mean nothing — can prepare you for children. So the advice you may receive from the five couples looking to conceive or adopt in Lionsgate’s What to Expect When You’re Expecting (or the best-selling books it is based off of) ain’t gonna help you one bit. What you will probably get,…
It’s been a good year for Peter Mullan. His superb Neds, released earlier this year, was a tough, semi-autobiographical tale of growing up in Glasgow and pulled no punches. Mullan’s character here, Joseph, is built from similar stock. Transplanted to Leeds, Joseph is alone. His wife has died, and he’s just kicked his dog to…
