Drama

Movie Review: Little Fish (2020)

Jude Andrew Williams (Jack O’Connell, “Money Monster”) “always has a camera in his hand and a photograph in his mind.” He met Emma Ryerson (Olivia Cooke, “Ready Player One”) on a day when she was feeling very sad, though she won’t be able to tell you why — she can’t remember. Through Halloween parties, trips…

Movie Review: Promising Young Woman (2020)

Early in Emerald Fennell’s biting and insightful Promising Young Woman, protagonist Cassie (Carey Mulligan, “Suffragette”) is catcalled by a group of workmen. It is a depressingly common scenario — a woman subjected to sexual objectification, for little reason other than men want to and can. But writer-director Fennell and star Mulligan strike a pose in…

Movie Review: Things Heard & Seen (2021)

Directors Shari Springer Berman and Robert Pulcini return with Things Heard & Seen, a film with so many things going on, you can’t classify it as belonging to one particular genre/subgenre. It’s a psychological horror film, a ghost story, a couple drama, and a spirit flick that becomes imbued with religious imagery. If anything, you…

Movie Review: The Life Ahead (2020)

Edoardo Ponti (“Coming & Going”) has provided his mother, the great Sophia Loren (“Nine”), with her ninety-eighth film credit and her first starring role in 16 years in The Life Ahead (La vita davanti a sé), a sincere if somewhat flawed look at the relationship between an orphaned Muslim boy from Senegal and an aging…

Movie Review: Six Minutes to Midnight (2020)

Director Andy Goddard’s British war drama, Six Minutes to Midnight, starts off strong — with sweeping tracking shots of the English coast, fitting period attire, and an underlying sense of “doom” matching a continent on the brink of war. In fact, the film’s opening act is quite intriguing — dropping viewers into a peculiar English…

Movie Review: Senior Moment (2021)

William Shatner, who in real life recently turned 90, should be commended for playing the lead in any feature film. That said, Senior Moment, a bit of cinematic fluff directed by Giorgio Serafini, is not the best vehicle for him to show off his acting chops. The script is not developed sufficiently for him or…

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