Articles by Dan Gunderman

The Critical Movie Critics

Dan is an author, film critic and media professional. He is a former staff writer for the N.Y. Daily News, where he served as a film/TV reviewer with a "Top Critic" designation on Rotten Tomatoes. His debut historical fiction novel, "Synod," was published by an independent press in Jan. 2018, receiving praise among indie book reviewers. His research interests include English, military and political history. He's currently an account executive for a New Jersey public relations firm.


Movie Review: 1917 (2019)

1917 is director Sam Mendes’ first film since 2015’s 007 picture, “Spectre,” and no doubt reaches the pantheon of respected war films. A Best Picture contender at this year’s Academy Awards, the film is a visual masterpiece, aided by the lens of 15-time Oscar nominee Roger Deakins, strong direction and an uncompromising look at No…

Movie Review: Star Wars: The Rise of Skywalker (2019)

No doubt, Disney and Lucasfilm were faced with a monumental task by ending the Skywalker saga — the ninth film in a franchise that changed the course of filmmaking and introduced generations of viewers to freewheeling, space-opera arcs and settings. Inherent in that task: The risk of polarizing a temperamental fan base and bookending “Star…

Movie Review: Ad Astra (2019)

Director James Gray, whose last film, “The Lost City of Z,” garnered serious praise upon release in 2016, has continued his win streak in the exploratory sci-fi film Ad Astra, the Latin phrase for “to the stars.” This Brad Pitt vehicle stands as a powerful character study within a plausible near-future universe, with a hefty…

Movie Review: Downton Abbey (2019)

In 2019’s Downton Abbey, creator Julian Fellowes succinctly blends the bold episodic wit of the “Downton Abbey” television series with charm and grandeur — the latter playing wonderfully on the silver screen. A mix of fan service and carefully scripted royal drama, the film is an exquisite homage to the six-season British TV mainstay. Playing…

Movie Review: Annabelle Comes Home (2019)

The third entry in the “Annabelle” series, a part of the extended “Conjuring” Universe, is Gary Dauberman’s directorial debut, Annabelle Comes Home. The scribe is close to the source, though, as he was responsible for scripts on 2014’s “Annabelle” and 2017’s “Annabelle: Creation,” as well as 2018’s “The Nun.” Luckily, Dauberman’s transition behind the camera…

Movie Review: Tolkien (2019)

In many ways, director Dome Karukoski’s Tolkien is a fine film — a definitive sampling of J.R.R. Tolkien’s formative years and a nicely fleshed-out character study. Yet, it also plays as programming you might find on a PBS “Masterpiece” program, with nicely defined Edwardian settings, fine period costumes and impressive performances all around. Still, similar…

Movie Review: Avengers: Endgame (2019)

Avengers: Endgame brings the Marvel Cinematic Universe’s (MCU) third phase to a close in splendid fashion, designating much of its three-hour runtime to character arcs and the wider narrative, versus intergalactic fireworks and fisticuffs. In fact, Anthony and Joe Russo’s finale is an intelligent film, introducing novel MCU concepts, “hard” science and a supervillain worthy…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger