Girl, written, directed and starring Chad Faust (“Better Start Running”), is effective when it comes to mood and atmosphere. The problem, however, is that there isn’t enough substance to make Faust’s stylish choices mean something, so this thriller comes across as more empty that gratifying. It begins with the titular “Girl” (Bella Thorne, “The Babysitter:…
The ghost story is common in the cinematic output of many countries. From the Mexican “The Devil’s Backbone” to the Spanish “The Orphanage” to the Japanese “Dark Water” and the British/Iranian “Under The Shadow,” as well as the renowned classics “The Haunting” and “The Innocents,” the ghost story has proven itself versatile and adaptable to…
The opening supertext of Wander draws attention to “indigenous, black, and people of color,” refers to “government violences,” and “change,” and highlights that the film was shot on the homelands of indigenous peoples. Released in 2020 shortly after the presidential election, it is tempting to see this film in the light of progressive change and…
On what appears to be just an average evening, a grinning pizza delivery man (David Harper, “The Clean Bones Gone”) walks through an alleyway carrying a pizza box, heading towards his next address. He’s dressed in a red polo shirt and a red visor, and we quickly discover he’s carrying a plastic bag — a…
The Democratic National Convention met in Chicago in August 1968 to choose their presidential candidate in a tumultuous year that saw the assassinations of Martin Luther King and Robert Kennedy, the passage of the Civil Rights Act, Prague Spring, and growing protests in cities around the world against the escalation of the Vietnam War. Although…
Cinema can have a suffusive effect. Through a particular combination of image and sound, a film can feel as though it is breathing out and enveloping you with its influence. This can be the case with dreamy romances, where you are brought into the (potentially cloying) environment of overpowering love. It can also work for…
Christopher Smith is a modern-day horror maestro. From his feature debut “Creep” through “Severance” and “Black Death,” with forays into other genres, he has demonstrated his ability to make effective genre films. The Banishing is a very fine horror: A slow burn, drip feed delivery of menace and dread that also explores issues of repression…
