“Hit the road Jack and don’t you come back, No more, no more, no more, no more. Hit the road Jack and don’t you come back no more” — Percy Mayfield A road trip that builds on Abbas Kiarostami’s “A Taste of Cherry” and Jafar Panahi’s “Taxi,” Jafar’s son Panah has built on his father’s…
“Life’s greatest happiness is to be convinced we are loved” — Victor Hugo Winner of the Golden Lion Award at the 2021 Venice Film Festival, Audrey Diwan’s (“Losing It”) harrowing abortion drama Happening takes place in rural France during the 1960s, a decade before abortion was legalized in France. Based on the memoir by Annie…
There was a popular book written in the late 1980s by Robert Fulghum named “All I Really Need to Know I Learned in Kindergarten,” It is filled with tried and true lessons about growing up: “Hold hands and stick together,” “play fair,” “look at yourself,” and other snippets of suggestions we learn about early in…
“And flound’ring like a man in fire or lime. Dim through the misty panes and thick green light, As under a green sea, I saw him drowning” — Wilfred Owen, “Dulce Et Decorum Est” The lives of World War I English poets Siegfried Sassoon (Jack Lowden (“Dunkirk”) and Wilfred Owen (Matthew Tennyson, “Making Noise Quietly”)…
“Love, wisdom, grace, inspiration – how do you go about finding these things that are in some ways about extending the boundaries of the self into unknown territory, about becoming someone else?” – Rebecca Solnit British Poet Percy Bysse Shelley said, “Poetry lifts the veil from the hidden beauty of the world, and makes familiar…
Quoting the statistic that 152 million children in the world are forced to work to support their families, Iranian director Majid Majidi’s Sun Children focuses on the street kids of Tehran — children of absent, addicted, or unemployed refugee parents, forced to sell trinkets on trains or buses, work in jobs that require manual labor…
Ever since the first genre films established rules, filmmakers have used them as a safety net. For better or worse, this ensured audience familiarity, while also simplifying the production process. Of the genres, horror films are probably the most reliant on these standardized tropes (1996’s “Scream” lampoons this), so much so that there is stagnation…
