“Nothing of him that doth fade / But doth suffer a sea-change / Into something rich and strange” — William Shakespeare, “The Tempest” Film critic Roger Ebert once said, “All good art is about something deeper than it admits.” On the surface, Sofia Coppola’s (“The Beguiled”) On the Rocks is a light comedy about a…
“Everyone has lots of ways of feeling. And all of those feelings are fine. It’s what we do with our feelings that matter in this life.” — Fred Rogers Loosely based on Tom Junod’s 1998 Esquire article on children’s television personality Fred Rogers, “Can You Say . . . Hero?,” Marielle Heller’s (“Can You Ever…
Joining A24’s pantheon of beautifully crafted, enigmatic thrillers is The Lighthouse, the sophomore effort by horror auteur Robert Eggers. Based on two seamen on an isolated lighthouse in the late 1800’s, this strange thriller tackles a simplistic setting from a mind-numbing perspective and is more than enough evidence to support the resounding resurgence of unsettling,…
Filmmaker Sofia Coppola is a mixed bag in terms of her big screen artistry as both an actress and movie-making siren. Specifically, Coppola’s auteur skills can run rather cold and dismissive (penning the flat and forgettable costume saga “Marie Antoinette”) or can inspire unexpected hypnotic greatness of roguish contemplation and isolation (as demonstrated in her…
Mike Mills’ 2010 film “Beginners” was based on his relationship with his father who, at the age of 75, announced that he was gay and developed a relationship with a younger man. Mills takes another look at family life in 20th Century Women, a semi-autobiographical film about three adult characters looking back with nostalgia on…
