Walt Disney Pictures

Movie Review: Aladdin (2019)

Depending on your tolerance for redundancy, there’s a surprising amount of fun to be had in Disney’s Guy Ritchie-helmed Aladdin remake. That’s a far cry from the disaster this could have been and seemed destined to be at one point, considering a laundry list of potential issues ranging from the source material that casually mixes…

Movie Review: The Lion King (2019)

I don’t even know what to say. Or why to bother. To stare into the void that is Disney’s soul-sucked remake of its cinematic safari The Lion King is to come face to face with a profound and overwhelming sense of meaninglessness. It’s the same movie they released in 1994, only worse in all ways…

Movie Review: Spider-Man: Far From Home (2019)

Two teenagers walk along the Charles Bridge in Prague, and as they do so their fingers brush and they nearly take hold of each other’s hands. Nearly, but not quite, as teen awkwardness gets in the way and they lack the maturity to express themselves. This is a tiny moment in Spider-Man: Far From Home,…

Movie Review: Toy Story 4 (2019)

Goodbyes are at the forefront of Pixar’s tacked-on Toy Story 4, the studio’s fourth sequel in as many years and its flagship franchise’s first installment in almost a decade. There are parting glances throughout, the movie is book-ended by sendoffs, and one new character’s entire existence hinges on a gag in which he tries to…

Movie Review: Avengers: Endgame (2019)

Avengers: Endgame brings the Marvel Cinematic Universe’s (MCU) third phase to a close in splendid fashion, designating much of its three-hour runtime to character arcs and the wider narrative, versus intergalactic fireworks and fisticuffs. In fact, Anthony and Joe Russo’s finale is an intelligent film, introducing novel MCU concepts, “hard” science and a supervillain worthy…

Movie Trailer: The Lion King (2019)

The continued effort to update and bring “live-action” realism to their classics (e.g., “Dumbo,” “The Jungle Book,” “Beauty and the Beast,”) continues for Disney with The Lion King. It follows the same premise as the 1994 animated feature (as well as “Kimba the White Lion” from which it was lifted) in which a young lion…

Movie Review: Captain Marvel (2019)

The special forces sub-genre combines elements of the cop, spy and soldier film, and is characterized by jargon, hardware, institutionalized yet independent characters and almost-but-not-quite overwhelming odds. Notable examples include “Tears of the Sun,” “Zero Dark Thirty,” “Triple Frontier” and “The Expendables” franchise. Given their practice of taking established generic traditions and infusing them with…

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