Tagged murder

Movie Review: M.O.M. Mothers of Monsters (2020)

The inter-dependable relationship between mothers and their sons has been explored throughout horror for decades. From Alfred Hitchcock’s “Psycho” the 1960 landmark film which left an indelible mark on cinema forever, right up to the recent “Daniel Isn’t Real” which sought to explore the link between mother and son and more specifically, mental illness, it’s…

Movie Review: The Invisible Man (2020)

The Invisible Man has been the cinematic subject of effects extravaganzas (most notably James Whale’s 1933 adaptation of H.G. Wells’ classic novel), wartime propaganda (“Invisible Agent”), deadpan comedy (“Memoirs of an Invisible Man”), and psychosexual satire (“Hollow Man”), but rarely has he ever led a straight horror film. This is the hole that filmmaker Leigh…

Movie Review: The Hunt (2020)

The horror genre relies, to an extent, on the utilization of familiar tropes. The use of these tropes can reward and subvert expectations, and how these tropes are used contributes to the film’s effectiveness. Audience familiarity is both an opportunity and a difficulty for filmmakers: Give the audience what they want and they welcome it,…

Movie Review: The Night Clerk (2020)

As an adult in her 30’s, hearing tales of mythical creatures such as unicorns, Santa Clause, or RuPaul seem entirely plausible. There’s still some sparkle left in the sun, so they must (like talking M&M’s) exist. Yet I find it hard to believe that we live in a world that still makes movies like The…

Movie Review: A Serial Killer’s Guide To Life (2019)

“Be me, then be yourself,” so says Chuck Knoach (Ben Lloyd-Hughes, “Me Before You”), a best-selling self-help guru who has an avid fan in Lou (Katy Brayben, “Luther” TV series) a 30-something woman with a dead-end job and a suffocating mother (Sarah Ball, “Doctors” TV series) for a housemate. As we see her enjoying rare…

Movie Review: Knives Out (2019)

The whodunnit provides a certain kind of cinematic pleasure. The crime which is never straightforward. The host of suspects, all with motives and sometimes conflicting alibis. The elaborately twisting plot where half the fun is not knowing and the other half finding out. Through the decades and across media from literature to film to television…

Movie Review: The Irishman (2019)

After a long and difficult road for Martin Scorsese’s crime epic memoir, all the ingredients are present for a masterful piece of cinema. The talent includes eight Oscar winners: Director Scorsese, screenwriter Steven Zaillian, editor Thelma Schoonmaker, costume designer Sandy Powell, as well as four Oscar-winning performers — Robert De Niro, Al Pacino, Joe Pesci…

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