Movie Review: Sunshine Ukulele (2017)

The core of any filmmaker’s soul is to commit and explore the realm of a targeted subject matter regardless of said filmmaker’s familiarity with the material at hand. Well, Irish filmmaker Graham Jones (“How to Cheat in the Leaving Certificate”) does not disappoint with his latest go-around regarding adventurous youth and the creative spirit in…

Movie Review: Don’t Hang Up (2016)

Delivering this week’s cautionary social media commentary (there’s more to life than Likes, kids!) with the subtlety of an internet meme, here’s a wholly unoriginal horror about unlikeable idiots being tortured by a cookie-cutter movie maniac. There’s a reason why jock douchebags don’t tend to get the horror limelight, and Don’t Hang Up is the…

Movie Review: Churchill (2017)

For a British voter and cinemagoer, it is a singular experience to see a film about Winston Churchill in the aftermath of a general election. The film is especially distinctive in 2017, as the British government displays all manner of contradictions and at times inadequacies, whereas Churchill, both the film and the legend of the…

Movie Review: 47 Meters Down (2017)

Looks like the summer of 2017 is going to be another mixed bag of movies. For every well-received, attention-getting spectacle such as “Guardians of the Galaxy Vol. 2” or “Wonder Woman” we are gifted something rather flimsy and forgettable such as co-writer/director Johannes Roberts’ generic “divas in deep water dilemma” thriller 47 Meters Down. Contrived…

Movie Review: All Eyez On Me (2017)

There are good musical biopics (“Love and Mercy,” “Walk the Line,” “La Bamba,” “Straight Outta Compton”) and there are bad ones (“Jolson Sings Again,” “The Doors,” “Great Balls of Fire!,” “Notorious”), and there are solid, but mediocre presentations like the latest, All Eyez On Me. Directed by Benny Boom (“Next Day Air”), All Eyez On…

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