Jean-Édouard Bodziak

Movie Review: Double Lover (2017)

It is fitting that there are two competing readings of François Ozon’s Double Lover. The film dually presents as a highly stylized, seductively sleek French psychosexual thriller and this “I Know Who Killed Me”-esque overtly overly symbolic camp. Not wanting to assign one dominance over the other or perhaps unable to distinguish between apparent equals,…

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