Articles by Quinn Vincent Hough

The Critical Movie Critics

Residing somewhere in the Midwest of America, Quinn binges on French New Wave films.


Movie Review: Grand Piano (2013)

It is not uncommon to experience a false sense of enlightenment when confined or placed into a stressful setting. You don’t always necessarily understand your surroundings or know how you arrived there, but you will, nonetheless, attempt to find meaning in the situation and overcome. Eugenio Mira’s Grand Piano tries for such an effect. The…

Movie Review: Squatters (2014)

At the onset of Martin Weisz’s Los Angeles-based Squatters, two raggedy drifters awake on the beach under a lifeguard station. Dirty clothes. Matted hair. The sun slowly rises and two of the most glammed out drifters of cinema are revealed. The beauty of the girl is made abundantly clear through her cherry red lips while…

Movie Review: Redlands (2014)

Legendary French director Jean-Pierre Melville famously uttered “become immortal and then die” in Jean-Luc Godard’s French New Wave classic “Breathless” (À bout de souffle), and these words are echoed by the lead character in Redlands. “Ultimately, I want to push beyond reality and become immortal through art.” Lurking somewhere between the innocence of young Hollywood…

Movie Review: Neverlake (2013)

Riccardo Paoletti is no stranger to the magic of Fellini. Once upon a time in 2006, the director presented a story of black and white, “Dailies” (In coda ai titoli), about crewmembers who worked at the legendary Cinecittà in the sixties. Paoletti’s latest project, Neverlake, captures a touch of Fellini’s magical realism and blends it…

Movie Review: Tough Bond (2013)

Tough Bond, the directorial debut of Anneliese Vandenberg and Austin Peck, is the type of the documentary that will leave most viewers speechless and cause others to simply stay away due to the subject matter. The story of Kenyan youth huffing glue is not exactly “misery porn” as some have labeled it, nor is it…

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