Dr. Vincent M. Gaine is a film and television researcher. His first book, Existentialism and Social Engagement in the Films of Michael Mann was published by Palgrave MacMillan in 2011. His work on film and media has been published in Cinema Journal and The Journal of Technology, Theology and Religion, as well as edited collections including The 21st Century Superhero and The Directory of World Cinema.
Imagine if Stanley Kubrick, David Cronenberg, Darren Aronofsky and Gaspar Noe collaborated on a film. If they did, it might look something like Coralie Fargeat’s extraordinary The Substance, a film that blends multiple elements both familiar and innovative into something truly unique and utterly unforgettable. To unpack the (inevitably) reductive comparison, The Substance features spaces…
The great thing about genre is that it offers fans straightforward and familiar material, but it also allows filmmakers the space to come up with new interpretations within established formulae. This is especially true of horror, and the challenge for the filmmaker is to offer scares within the blend of familiarity and innovation. Bishal Dutta’s…
The case of Lizzie Borden is popular and famous, to the extent of having effectively entered folklore. Taking place in Fall River, Massachusetts in 1892, the murders of Abby and Andrew Borden and the trial of Andrew’s daughter Lizzie the following year that ended in her acquittal, has been the subject of books, theatrical productions,…
The title The Man from Rome evokes the thriller genre, be that spy, conspiracy or crime. Think of “The Man Who Knew Too Much,” “The Spy Who Came In From The Cold,” or indeed, “The Man From U.N.C.L.E.” True to title, The Man From Rome utilizes tropes of conspiracy, espionage, mystery and action. It comes…
Underground. Undertaken. Underpinned. Understated. Of these various under words, the one that tends to fit Canadian horror is “understated.” From the halcyon days of “Black Christmas” and the early work of David Cronenberg up to more recent fare including “Blood Quantum” and “Bloodthirsty,” Canada has produced much distinctive work in the genre, often benefiting from…
What do you do when you’ve made multiple successful films in New Zealand, graduated to Hollywood blockbuster franchise installments while maintaining your idiosyncrasies and then won an Academy Award? In the case of Taika Waititi, the answer is to make another blockbuster where the idiosyncrasies are even more pronounced, to an extent that may amuse…
In 2002, the superhero genre achieved an ideal form in “Spider-Man,” which built upon aspects from the Superman and Batman franchises as well as 1998’s “Blade” and 2000’s “X-Men.” Over the subsequent two decades, the genre developed and expanded, but a consistent aspect throughout is the cinematic expression of the experience of superpowers. This was…
