Drama

Movie Review: The Batman (2022)

It begins with rapid titles. “WB,” “DC,” The Batman, all flash up on screen quickly, before an opening point-of-view shot through binoculars takes in a well-dressed man in an opulent mansion. Watching, observing, planning and judging, this extended shot is unsettling in its voyeurism, especially as the viewer shares the perspective of this watcher, who…

Movie Review: C’mon C’mon (2021)

If your children suggest that you operate within “your zone of resiliency,” you might want to look into what soap opera they’ve been watching, or whether they have gotten their hands on a convoluted movie script, the sort readily available in Mike Mills (“20th Century Women”) C’mon C’mon, a film inspired by Mills’ relationship with…

Movie Review: Benediction (2021)

“And flound’ring like a man in fire or lime. Dim through the misty panes and thick green light, As under a green sea, I saw him drowning” — Wilfred Owen, “Dulce Et Decorum Est” The lives of World War I English poets Siegfried Sassoon (Jack Lowden (“Dunkirk”) and Wilfred Owen (Matthew Tennyson, “Making Noise Quietly”)…

Movie Review: Last Night in Soho (2021)

London in the swinging 60s. A time of glamour. A place of dreams. An era of magic, cruelty and abuse. Wait, what? That’s right, Edgar Wright’s (the Cornetto Trilogy, “Baby Driver”) latest film, Last Night in Soho, largely eschews the lighthearted tone of his previous work, delivering a tale that is dark, gruesome and visceral,…

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