Horror

Movie Review: Velvet Buzzsaw (2019)

For a film with a tantalizing title like Velvet Buzzsaw, it sure is disappointing. What a shame. The talented cast, with the likes of Jake Gyllenhaal (“Stronger”), Rene Russo (“Thor:The Dark World”), Toni Collette (“Hereditary”) and a criminally underutilized John Malkovich (“Warm Bodies”), try their best to salvage the poorly thought-out narrative. However, it is…

Movie Review: The House (2016)

Reinert Kiil is the Norwegian director responsible for the sort-of-okay slasher “Christmas Blood” (“Juleblod”). If that film was a brooding modernization of “Silent Night, Deadly Night” then The House (“Huset”) must be his re-imagining of “The Conjuring.” On the surface it’s an interesting new twist on the familiar, demon-possessed madhouse setup. Two Nazi soldiers are…

Movie Review: Halloween (2018)

In 1978, director John Carpenter made one of the most profitable and influential indie horror films in the history of American cinema, “Halloween.” Some critics argue that it jump-started the slasher genre, although “The Texas Chainsaw Massacre” (1974) and “Ecologia del delitto” (1971) precede it, as well as plenty of Italian giallo flicks and earlier…

Movie Review: The Amityville Murders (2018)

1974. Amityville, Long Island. The DeFeo family lives in a house called “High Hopes,” although their situation is looking pretty hopeless. Twenty-somethings “Butch” (John Robinson, “Transformers”) and Dawn (Chelsea Ricketts, “More Than Enough”) live under the shadow of an abusive patriarch, Ronnie (Paul Ben-Victor, “Get Hard”), who’s apparently embroiled with some Mafia types. As the…

Movie Review: Dead Ant (2017)

B-movies are a dime a dozen nowadays, thanks to the increasingly strengthening stream of easier distribution paths and the prolificacy of cut-rate digital effects solutions, so it’s tough to sift through the rubble of bargain bin trash to find any gems anymore. The label simply isn’t what it used to be, now sullied by the…

Movie Review: Piercing (2018)

Piercing has the singular, most chilling opening sequence I have ever seen in a movie. I don’t think it can get any more horrifying than an ice pick brandished in a newborn baby’s face. This immediately set me on edge, and this tension continued all through the exposition. It seems that Reed (an eerily unsettling…

Movie Review: Anna and the Apocalypse (2018)

Off the top of your head have you ever wondered when the next zombie Christmas musical would launch for your seasonal enjoyment? Well, one would have to look no further than the John McPhail (“Where Do We Go From Here?”) directed Anna and the Apocalypse, a festive zom-com spectacle with a sense of bloody cheekiness….

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