Simone Urdl

Movie Review: The Captive (2014)

Whatever happened to Atom Egoyan? Or, more specifically, his artistic credibility? The Canadian filmmaking icon who once strung together a stunning run of acclaimed, focused works in the 90s, including “Exotica,” “The Sweet Hereafter,” and “Felicia’s Journey” has been slumming it of late. Swapping his trademark air of chilly mystery for easily digestible predictability and…

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