Articles by Aaron Leggo

The Critical Movie Critics

You and I both know the truth. You just don't admit it.


Movie Review: Uncut Gems (2019)

After viewing Uncut Gems, I found myself wondering, “Has any movie character ever so completely brought all their story’s conflict upon themselves as much as Howard Ratner does?” I guess that’s the nature of stories about addiction, that the addicts can’t help themselves and suffer horrible consequences as a result, but Howard really takes the…

Movie Review: Onward (2020)

Onward, the latest animated adventure from the studio that seemingly can do no wrong, Pixar, kinda does. It is a mediocre effort overall, but still a further reminder of the studio’s status as a master heartstring-tugger. In the end, that’s where the studio excels and the way Dan Scanlon, Jason Headley and Keith Bunin’s story…

Movie Review: The Invisible Man (2020)

The Invisible Man has been the cinematic subject of effects extravaganzas (most notably James Whale’s 1933 adaptation of H.G. Wells’ classic novel), wartime propaganda (“Invisible Agent”), deadpan comedy (“Memoirs of an Invisible Man”), and psychosexual satire (“Hollow Man”), but rarely has he ever led a straight horror film. This is the hole that filmmaker Leigh…

Movie Review: Cats (2019)

There’s only one movie in theaters this holiday season where you can see tap, ballet, hip-hop, and other dance styles performed by CGI cat-people (or are they people-cats?) and you can bet it’s not the latest Star Wars movie. It’s also not exactly good, at least in the way that nearly everyone who watches movies…

Movie Review: Frozen II (2019)

A franchise’s future often lies in its past. The narrative need to look back upon the legacy of a series starter and the history of its characters provides a clear entry point for many sequels that may otherwise struggle to justify their existence beyond merely financial reasons. It’s a strategy used to moving effect in…

Movie Review: Corporate Animals (2019)

As far as random indie comedies starring a mix of rising and veteran stars go, the darkly silly Corporate Animals is a surprisingly digestible serving of oddball nonsense. For starters, it concerns itself with a team-building retreat that goes awry when employees of a company that makes edible utensils are suddenly forced to consider each…

Movie Review: Anna (2019)

Life is difficult and complicated in Dekel Berenson’s intimate short Anna, about a titular single mother (Svetlana Barandich) who longs to provide a better life for herself and her teenage daughter Alina (Anastasia Vyazovskaya). In their little Ukrainian village, Anna works at a meat-processing plant, wiling away the hours and returning home to find her…

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