Articles by Aaron Leggo

The Critical Movie Critics

You and I both know the truth. You just don't admit it.


Movie Review: Cats (2019)

There’s only one movie in theaters this holiday season where you can see tap, ballet, hip-hop, and other dance styles performed by CGI cat-people (or are they people-cats?) and you can bet it’s not the latest Star Wars movie. It’s also not exactly good, at least in the way that nearly everyone who watches movies…

Movie Review: Frozen II (2019)

A franchise’s future often lies in its past. The narrative need to look back upon the legacy of a series starter and the history of its characters provides a clear entry point for many sequels that may otherwise struggle to justify their existence beyond merely financial reasons. It’s a strategy used to moving effect in…

Movie Review: Corporate Animals (2019)

As far as random indie comedies starring a mix of rising and veteran stars go, the darkly silly Corporate Animals is a surprisingly digestible serving of oddball nonsense. For starters, it concerns itself with a team-building retreat that goes awry when employees of a company that makes edible utensils are suddenly forced to consider each…

Movie Review: Anna (2019)

Life is difficult and complicated in Dekel Berenson’s intimate short Anna, about a titular single mother (Svetlana Barandich) who longs to provide a better life for herself and her teenage daughter Alina (Anastasia Vyazovskaya). In their little Ukrainian village, Anna works at a meat-processing plant, wiling away the hours and returning home to find her…

Movie Review: Aladdin (2019)

Depending on your tolerance for redundancy, there’s a surprising amount of fun to be had in Disney’s Guy Ritchie-helmed Aladdin remake. That’s a far cry from the disaster this could have been and seemed destined to be at one point, considering a laundry list of potential issues ranging from the source material that casually mixes…

Movie Review: The Lion King (2019)

I don’t even know what to say. Or why to bother. To stare into the void that is Disney’s soul-sucked remake of its cinematic safari The Lion King is to come face to face with a profound and overwhelming sense of meaninglessness. It’s the same movie they released in 1994, only worse in all ways…

Movie Review: Midsommar (2019)

On the surface Ari Aster’s Midsommar, is very similar to “Hereditary,” in that it too deals with a grieving protagonist who unwittingly finds herself slipping into the clutches of a murderous cult, but it deviates quite sharply from Aster’s debut feature in two interesting ways: One, it’s clearly a very dark comedy at times, not…

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