Articles by Aaron Leggo

The Critical Movie Critics

You and I both know the truth. You just don't admit it.


Movie Review: The Nutcracker and the Four Realms (2018)

For anyone willing to get into the Christmas spirit immediately after Halloween (that would be me, at least this year), there’s the arrival of Disney’s festive fantasia The Nutcracker and the Four Realms to help ease the transition from one treat-filled holiday to another. The title may be a mouthful, but the movie is a…

Movie Review: London Fields (2018)

One of the main aims of a whodunnit mystery movie is to ensure that the audience doesn’t guess who done it, so by that metric, London Fields misses its mark entirely. It’s the rare movie that plays its cards so early that anyone paying even a sliver of attention during the first two minutes can…

Movie Review: A Star Is Born (2018)

Choosing a third remake of A Star Is Born, a classic rags-to-riches movie that has a history of attracting legendary talent from Fredric March to Judy Garland, as your directorial debut is a risky move, but it’s one that Bradley Cooper pulls off quite well. The actor’s rise from TV sidekick to cool comic relief…

Movie Review: The Meg (2018)

The path to success for a giant shark movie seems pretty simple and straightforward until you see something like The Meg. What more does a giant shark movie need than: A giant shark Some people to eat A sense of humor A few well-timed jump scares The Meg, the finally birthed form of a long-gestating…

Movie Review: Incredibles 2 (2018)

14 years in the real world is instantly obliterated at the start of Incredibles 2, which picks up the story of the superpowered Parr family at the exact moment that their previous cinematic adventure ended. Time may have stood still for the titular heroes until now, but a lot has happened in the last decade-and-a-half…

Movie Review: Colossal (2016)

Ignacio “Nacho” Vigalondo is such a breath of fresh air. He values creative concepts and playful storytelling over exhaustive explanations and trite plot turns. He is fully aware of the tropes he’s toying with and knows when to tweak them and by how much. He’s very good at engaging the audience and then recognizing that…

Movie Review: Sicario: Day of the Soldado (2018)

Mexican cartels are bad and Emily Blunt is good. These are the main takeaways from the generic sequel Sicario: Day of the Soldado, which serves only as an overlong, unnecessary reminder of how gripping Denis Villeneuve’s 2015 predecessor was. This continuation of the story that follows government agents embroiled in the drug war jettisons Blunt’s…

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