Arte France Cinéma

Movie Review: Synonyms (2019)

According to award-winning Israeli director Nadav Lapid (“The Kindergarten Teacher”), “art has the right to be chaotic and wild, to go to extreme and dangerous places.” If you are looking for chaotic and wild, you need look no further than his Synonyms (Milim Nirdafot), a mystifying and often maddening film that will either leave you…

Movie Review: Bacurau (2019)

You cannot find Bacurau on any map of Brazil. That is because the town is fictional. The problem is that the residents of this small community in the northeast corner of Brazil can no longer find their town on Google Maps, or any GPS system either. Other strange things soon begin happening in Bacurau, winner…

Movie Review: Transit (2018)

“I feel wherever I go, that tomorrow is near, tomorrow is here, and always too soon” — Speak Low, Kurt Weill and Ogden Nash Georg (Franz Rogowski, “Tiger Girl”), a Jewish radio and TV technician fleeing from persecution in Germany en route to Marseilles, waits in a dimly lit café in Paris for a friend…

Movie Review: A Gentle Creature (2017)

“Certain persons in the world exist, not as personalities in themselves, but as spots or specks on the personalities of others” — N. V. Gogol, “Dead Souls” A Gentle Creature is as Russian a creature can ever be. It is the kind of character-driven story where the protagonist is bereft of all possible character —…

Movie Review: Mountains May Depart (2015)

In Chinese culture, the number three is considered lucky for its similarity to the character meaning “life” or “to give birth.” As such, Mountains May Depart makes no small use of significant triptychs in telling its story. The film is segmented into three disparate chapters and time periods; its three main characters are caught up…

Movie Review: The Square (2017)

According to Swedish director Ruben Östlund (“Force Majeure”), society today has turned its back on the social contract, the obligation that people not only express their concerns for other’s well-being but act upon them in concrete and meaningful ways. Winner of the Palme d’Or at the 2017 Cannes Film Festival, Östlund’s latest film, The Square,…

Movie Review: Loveless (2017)

Whether or not it is designed as an allegory of modern Russia, no film in recent memory has examined the growing emptiness of human relationships with such expressive force as Andrey Zvyagintsev’s (“Leviathan”) Loveless, a heart wrenching drama about a couple on the brink of divorce whose emotional neglect of their son leads to devastating…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger