Robert Schwartzman’s The Argument begins when Jack (Dan Fogler, “Fantastic Beasts: The Crimes of Grindelwald”) invites some friends over to celebrate his girlfriend Lisa (Emma Bell, “Final Destination 5”) getting a proper acting role. Things go awry when she invites her co-star Paul (Tyler James Williams, “Detroit”) over as well, without Jack’s knowledge, and the…
Whenever I find myself looking at the treasured imagery of the American Frontier, there’s always a bittersweetness that washes over. Perhaps it is the grandeur of the mountains looming against the most idyllic of cottages, but there’s this sense of melancholy that’s fascinating to explore. One such example comes in the form of Mona Fastvold’s…
The Rental is a film that offers many generic elements. It combines aspects of horror and thriller, and within those we find features of the surveillance and home invasion sub-genres, and also the well-worn slasher. The characters are combinations of private, professional and political concepts, and the clashes between these form much of the drama…
Piggybacking on the commercial (if not critical) success of other overstuffed vignette-driven holiday-centric movies such as “Love, Actually,” “Valentine’s Day,” and “New Year’s Eve,” Berlin, I Love You is the fourth installment in the “Cities of Love” franchise. This iteration, like those lovingly set in Paris, New York and Rio previously, follows way too many…
Writer/director/co-producer Deon Taylor (“Meet the Blacks”) oversees Traffik, a disposable mystery-suspense project with all the anticipation and edginess of sitting in traffic on the inner loop of I-495 West outside Washington D.C. His pseudo-tense thriller incorporates all the clichéd conventions imaginable: Pretty people in peril, normally smart people doing dumb things, remote romantic getaway shot…
