Loosely based on Shakespeare’s “Henry IV: Parts 1 & 2,” and “Henry V,” David Michôd’s (“Animal Kingdom”) epic medieval drama The King lacks the Bard’s poetry and soaring eloquence, yet its intensity, intimacy, and brooding power will keep you captivated throughout its 133-minute run time. Co-written by Michôd and Joel Edgerton (“Boy Erased”), the film…
In Una, the powerful screen adaptation of David Harrower’s play “Blackbird” about the sexual abuse of a thirteen-year-old girl, Australian director Benedict Andrews does what has become increasingly uncommon in modern cinema — he makes us think. While it may be uncomfortable to look outside of the reassuring categories of victim and victimizer, Andrews asks…
One’s enjoyment (or better yet, interest) in Legend, as written and directed by Brian Helgeland (an Academy Award winner for “L.A. Confidential” and a Razzie winner for “The Postman”), will most likely hinge on one’s ability to understand the deep Cockney accent everyone speaks here (even a universal translator would not help with much of…
