Comic book addict, frequent rambler and co-founder of the now defunct 'Real Books Don't Have Batman' podcast.
Have you ever been so happy to be wrong? I remember when “Rise of the Planet of the Apes” was being advertised, and I wanted no part of it. I loved the original series in its high and lows, but the Tim Burton remake had completely soured my desire for any new take on what…
There is an idealized Wonder Woman. It’s vague and often inconsistent in description, but seemingly ethereal in public consciousness, in spite of any prior comic book knowledge, or lack thereof. I would compare the cultural assumption to Superman, and the balancing act the original Richard Donner film had to pull off. The benefit of finally…
The benefit of foreign cinema is that they tend to tell stories that shed a light on their own culture and tell stories a U.S. production would probably warp and bend into something more palatable for our sensibilities, losing that bit of cultural spark that elevated the material in the first place. The drawback is…
Is there a specific name or term for a production that compiles stock action scenes from a foreign property and rewrites the context by filling in the gaps with a domestic production? Because between old distribution of kaiju films and the 24 year old series in question, a one-word description would be quite helpful. “Clip…
Oh boy. There’s nothing quite as middling or eyebrow-raising as a belated sequel, is there? 2003’s “Bad Santa” was a morbid, distasteful, apathetic middle-finger to more warm and fuzzy, politically correct holiday ventures and I absolutely love it. Upon hearing that a sequel was finally coming I was excited, although I knew it could fall…
Nostalgia can be a dangerous thing. Often the fondness for our youth can blind objectivity and feel like a betrayal of those simpler times. I cannot speak for my fellow critics, but I myself am fairly young. I was only six years old when the original Digimon series aired in the U.S. and I have…
Every once in a while, there are films that reaffirm their genres. That’s not to say that they’ve suffered without them, but true gems are few and far between. I consider “Let the Right One In” to be one of these gems among the horror sub-genres. I’d consider Spike Jonze’s “Her” a contender for romance,…
