Movie Reviews

Movie Review: Train to Busan (2016)

Zombie films have always been hotbeds of teeth-gnashing, blood splatter and almost the origin of stellar gore effects in cinema. But classics of the subgenre such as Danny Boyle’s “28 Days Later” and George Romero’s “Dead Series” have equally served as sociological petri dishes in which the filmmakers examine our own societies. While this breed…

Movie Review: Detroit (2017)

With Detroit, Oscar winning director Kathryn Bigelow (“The Hurt Locker”) and her team have put together a kick-in-the-mouth, knock-your-socks-off movie experience you won’t forget in a docudrama staging of the Detroit race-riots of 1967. Starting with a routine police raid of an illegal after hours club where the local residents harass the police as they…

Movie Review: Girls Trip (2017)

As of late the cinematic genre of choice happens to be the ostentatious antics of raunchy female groupings — something to feast on for the estrogen crowd. For the most part these “loose ladies of the pack” films have been profitable, whether bordering on the reputation of a box office cult hit like “Bridesmaids” or…

Movie Review: Landline (2017)

When spotlighting the dysfunctional familial factors in a period piece film set against the background of retro-urban rambunctiousness, it is a creative challenge to balance the ingredients involved: Underlying marital strife, sibling rivalry, adultery, emotional stagnation and fragile relations. In co-writer/director Gillian Robespierre’s nostalgic mid-nineties comedy, Landline, we are whisked back to a “vintage” time…

Movie Review: Chronically Metropolitan (2016)

Confession time: I was a fan of “Gossip Girl” for longer than I like to admit. Though it was a guilty pleasure, the high-camp, high-class, histrionic exploits of wealthy young New Yorkers made for entertaining TV. That vision of New York City as a playground for the ultra-rich and ultra-beautiful is one shared by Xavier…

Movie Review: Brave New Jersey (2016)

Jody Lambert has cut his teeth in the industry helming the Dennis Lambert documentary “Of All The Things” and co-writing “People Like Us” and multiple shorts for Funny or Die. Michael Dowling is a playwright who occasionally adapts his work for screen, but has never written a feature before now. Coming together with producers Taylor…

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