The ghost story is common in the cinematic output of many countries. From the Mexican “The Devil’s Backbone” to the Spanish “The Orphanage” to the Japanese “Dark Water” and the British/Iranian “Under The Shadow,” as well as the renowned classics “The Haunting” and “The Innocents,” the ghost story has proven itself versatile and adaptable to…
In the early 19th century, John Bell arrived in Western Tennessee to settle at the Red River Settlement, accompanied by his wife Lucy and their children. Within a decade, their family became leaders of the community and well-respected in their church. Strangely, however, the family starts hearing strange noises in the night — scratches on…
On what appears to be just an average evening, a grinning pizza delivery man (David Harper, “The Clean Bones Gone”) walks through an alleyway carrying a pizza box, heading towards his next address. He’s dressed in a red polo shirt and a red visor, and we quickly discover he’s carrying a plastic bag — a…
The Funeral Home, “La Funeraria” in its native tongue, is a gloomy and moody Argentinian haunted house tale. Written and directed by Mauro Iván Ojeda, the film pervades both its atmosphere and characters with gloom and moodiness. The titular domicile is the home and business of undertaker Bernardo (Luis Machín, “The Moneychanger”), a man crushed…
Welcome to the Circle, a cult in the middle of a remote forest. Blessings on you! Good tidings and all that! When a father and his daughter are attacked in the woods by a bear (maybe?), they find themselves rescued by The Circle, a small group consisting of lovely females and a bald leader who…
Neil Marshall has had a patchy career. From his riotous debut “Dog Soldiers” (re-issued in 2020) to his claustrophobic caving classic “The Descent,” his filmography sunk (or descended) into the highly derivative and uneven “Centurion” and “Doomsday,” before he applied his talents to television with “Game of Thrones” and “Hannibal,” among others. After the disastrous…
The slasher film and stand-up comedy have some commonalities. Both rely on suspense and release, in one case the release being laughter and in the other, fear. Both can build up suspense with short sequences, be that a feedline/punchline structure or a jump scare; both can also escalate tension with a long form story leading…
