If you’re familiar with low-budget horror flicks and/or video-game-to-movie adaptations, chances are you’ve heard of Uwe Boll. Even if you’re not familiar with Boll’s cinematic output, you’ve more than likely heard opinions on the guy’s work, and, in all likelihood, those opinions have not exactly been complimentary. If Boll’s work and name is a mystery…
In motion pictures, it’s a widespread belief that children are the embodiment of pure evil. Perhaps not all kids are the spawn of Satan, but horror filmmakers realize that evil disguised behind the eyes of a seemingly innocent child is an effective way of amplifying the scare factor. Into this genre now steps 2009’s Orphan….
Most of those who came into contact with the 2008 Swedish masterpiece Let the Right One In were immediately captivated and hypnotized by its brilliance, especially in the wake of the insipid Twilight phenomenon. It committed an unforgivable sin, though: It was foreign and subtitle-laden, meaning the movie never existed in Hollywood’s eyes. Thus, now…
The four “boys” from “The Hangover” are back in full party force in The Hangover Part II. What can you expect from them this time around? Well from the trailer which dropped late last night, a big helping of the same insane antics that got them in trouble the first time, is what. The minor…
The Horseman is an Australian addition to the long line of “vigilante dad” films that stretch back to Ingmar Bergman’s The Virgin Spring, in which a father — normally either a widower or a divorcee — is made a tad nutty by grief, and begins ruthlessly slaughtering those responsible for a crime against a loved…
If you attended the Toronto International Film Festival or the London Film Festival last year you would have caught a viewing of the comedy-drama Everything Must Go. For those of us who didn’t attend either, this fresh trailer provides a glimpse into Nick Halsey’s really crappy situation. In a single day he’s lost his job,…
Not everyone may share the same opinion, but this reviewer immensely enjoyed Paul W.S. Anderson’s Death Race. It’s cinematic junk food, sure, but the big dumb fun aspect and the expert action sequences made it easy to dismiss the cold critical heart in this reviewer’s chest and forget that critics are supposed to hate exploitation…
