Eitan Mansuri

Movie Review: Foxtrot (2017)

Winner of the Silver Lion at the Venice International Film Festival and Israel’s submission to the 2018 Oscars for Best Foreign Language Film, Israeli director Samuel Maoz’s (“Lebanon”) brilliant and confounding Foxtrot reveals itself less by narrative than by images: A narrow road in an empty stretch of desert, a lonely camel meandering through a…

Movie Review: The Congress (2013)

Part live-action and part animation, Israeli director Ari Folman’s The Congress presents a sharp picture of the Hollywood of the future in which flesh and blood actors have been replaced by computer images, scanned to capture them at the most productive point of their career (technology that Folman discovered already exists). Loosely based on Stanislaw…

Privacy Policy | About Us

 | Log in

Advertisment ad adsense adlogger