Vincent Maraval

Movie Review: The Red Turtle (2016)

Gorgeous colors and graceful poetic images mark The Red Turtle (La tortue rouge), a wordless 80-minute animated film co-produced by the famed Japanese Studio Ghibli and Dutch animator Michael Dudok de Wit. Made in France, the dialogue-free film was produced by Takahata Isao and co-written by French director Pascale Ferran whose 2014 film “Bird People”…

Movie Review: The Neon Demon (2016)

Vapidity loves company. Nicolas Winding Refn is all about the surface-level pose and the finely tuned image, so it’s fitting that his latest movie, The Neon Demon, sets its sights on the modelling industry and its harshly high standards of beauty. The plan is to use horror elements to illuminate the dark corners of a…

Movie Review: Goodbye to Language (2014)

The modern explosion of stereoscopic 3D cinema has been many things in many different filmmakers’ hands, but it’s never quite been whatever it is that French New Wave pioneer and long-time experimenter Jean-Luc Godard has done with it. Whereas before the technology ranged from irrelevant to immersive, Godard has now brought it to a place…

Movie Review: Blue is the Warmest Color (2013)

Though Blue is the Warmest Color, winner of the Palme d’Or at the 2013 Cannes Film Festival, contains graphic depictions of sex, it is not a voyeuristic exercise but a complex, deeply intense film that elevates one young woman’s personal struggle into a drama of universal relevance. Adapted by Kechiche and Ghalia Lacroix from the…

Movie Review: Only God Forgives (2013)

Masculinity, tortured and wounded, is clearly the meat on which Nicolas Winding Refn likes to gnaw, but he’s salivating over the subject a little too ridiculously with his latest feature, the violent revenge drama Only God Forgives. That intriguing title never lives up to its grand potential, as Refn approaches his theme of choice with…

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