Movie Review: The Father (2020)

Within a few minutes of watching The Father, you may get the sense that this is a dialogue-intense film that seems to bear a resemblance to a stage play. This perception is enhanced by the closed space in which the action occurs — a suitable, lived-in apartment of an educated man with décor that includes…

Movie Review: Wrong Turn (2021)

2003’s “Wrong Turn” spawned a surprising franchise. Five sequels and this 2021 reboot demonstrate that screenwriter Alan B. McElroy’s premise has (deformed) legs that have continued to provide bloody scares for audiences. After six films in the original continuity, a reboot seems timely and could continue to capitalize on the potential of city people encountering…

Movie Review: Young Hearts (2020)

There’s no denying that being a teenager is a struggle. From the ever fluctuating emotions to the miscommunications between friends, its an uphill battle. And in the case of media depictions, it can be hard for current adolescents to find something to genuinely relate to. Sure, there’s once-revolutionary representation within 80’s films, along with the…

Movie Review: Hunter Hunter (2020)

When I browse social media I find a very common practice, which is also very curious. People ask about certain kind of movies to watch to suit a particular mood. Sometimes they want to cry themselves to sleep. Other times they want to be scared out of their wits. But if there’s a request that’s…

Movie Review: Random Acts of Violence (2019)

In case you’re wondering, the big moral or theme of Jay Baruchel’s Random Acts of Violence is that we should be careful when creating works that depict over-the-top violence, lest some unstable fan decides to give literal life to your most gruesome imagined scenes. At least that’s what I got out of this middling, piddling,…

Movie Review: Another Round (2020)

“The real voyage of discovery lies in not seeing new landscapes but in having new eyes” — Marcel Proust Taking risks and taking responsibility can be two sides of the same coin but never seem to mesh in Thomas Vinterberg’s (“Far from the Madding Crowd”) comedy-drama Another Round, Denmark’s submission for Best Foreign Film at…

Movie Review: The World to Come (2020)

Whenever I find myself looking at the treasured imagery of the American Frontier, there’s always a bittersweetness that washes over. Perhaps it is the grandeur of the mountains looming against the most idyllic of cottages, but there’s this sense of melancholy that’s fascinating to explore. One such example comes in the form of Mona Fastvold’s…

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