Saban Films

Movie Review: Hooking Up (2020)

In the current stressful climate of cautious people keeping their safe distance from one another because of a crippling pandemic, it is bewildering to think an off-the-wall, road trip sex comedy involving mismatched personalities would suffice to ease the blues of quarantine. Nonetheless, co-writer/director Nico Raineau’s loose-minded sex farce, Hooking Up, looks to do just…

Movie Review: The Night Clerk (2020)

As an adult in her 30’s, hearing tales of mythical creatures such as unicorns, Santa Clause, or RuPaul seem entirely plausible. There’s still some sparkle left in the sun, so they must (like talking M&M’s) exist. Yet I find it hard to believe that we live in a world that still makes movies like The…

Movie Review: A Vigilante (2018)

I’m not totally sure if A Vigilante — the feature debut from writer-director Sarah Daggar-Nickson — is meant to be soaked up as entertainment so much as a reconciliation between movies-as-art and movies-as-therapy. The small-scale story is interested in a single dominating issue, that of domestic violence, though in ways that feels inconsistently intentioned, despite…

Movie Review: Berlin, I Love You (2019)

Piggybacking on the commercial (if not critical) success of other overstuffed vignette-driven holiday-centric movies such as “Love, Actually,” “Valentine’s Day,” and “New Year’s Eve,” Berlin, I Love You is the fourth installment in the “Cities of Love” franchise. This iteration, like those lovingly set in Paris, New York and Rio previously, follows way too many…

Movie Review: King of Thieves (2018)

It feels as if Michael Caine (“Going in Style”) has been making movies like King of Thieves for decades, movies in which is character is so, so old and so, so tired of it all. You’d be tired as well, if you had to work on movies like this. One last score, one last big…

Movie Review: Hangman (2017)

The cop procedural is a struggling genre, at least as far as film goes. With so much new content provided weekly via television shows, there’s hardly any room to grow. Yet it remains one of the more popular genres viewed at home, and honestly, home is probably the best place to view Hangman, which hardly…

Movie Review: Gun Shy (2017)

Director Simon West (“The Expendables 2”) does the name of British comedy a disservice in his latest turn, Gun Shy, while simultaneously doing no favors for his own reputation as a formidable name in action. Billed as an action-comedy, Gun Shy gives us little of either, which is why its biggest problem can be summed…

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