Never tell Rian Johnson the odds! The director’s efforts in Star Wars: The Last Jedi prove that science fiction fables can be the jack of all trades: Clever, entertaining and stirring. That said, Star Wars: The Last Jedi is certainly a “Star Wars” movie — it has the showy exterior, the Jedi lore and the…
Dusting off the smell of the superhero ensemble disappointment of “Justice League” comes the trailer for Avengers: Infinity War and it does not disappoint. Putting differences aside that forced a split between the Avengers in “Captain America: Civil War,” the heroes — with the aid of Black Panther, the Guardians of the Galaxy, Doctor Strange,…
The unique selling point of superhero cinema is the presentation of superpowers on screen and the exploration of what it means to super and to be a hero. Ever since “X-Men” took advantage of digital effects technology to render eye beams and human-generated lightning bolts, the finest examples of superhero cinema have grabbed hold of…
There is plenty going on in this latest trailer for Star Wars: The Last Jedi and much of it centers around Rey (Daisy Ridley). Luke (Mark Hamill) recognizes she harnesses powers he’s only seen once before and he is frightened of what it could mean should he continue training her. Supreme Leader Snoke knows it…
Let me be blunt for a second. “Blade Runner” never needed a sequel. Yes, I know. It’s a tired statement, I get sick of hearing it too. You could argue most movies don’t need sequels. But “Blade Runner” really did not need one, more so than others, and there are a number of factors contributing…
Both the original “The Houses October Built” and its sequel, The Houses October Built 2, open with quotes about the dark, primal volatility of human nature. The first cites Walter Jon Williams’ well known “I’m not afraid of werewolves or vampires or haunted hotels, I’m afraid of what real human beings do to other real…
Okay. Alright. Okay. Alright. So. “Kingsman: The Secret Service” was admittedly a surprise hit for most people. I, like many, found that it was an inventive, satirical yet loving take on the spy genre in just the right climate. Much like “Kick-Ass” before, Matthew Vaughn took an imaginative, but ultimately flaccid, concept of Mark Millar’s…
