Lions Gate Entertainment

Movie Review: Blindspotting (2018)

Tackling topics as trendy as gentrification, police brutality, and the post-prison life of convicted felons, there may not be a film more timely than Carlos López Estrada’s Blindspotting. Written by and starring Rafael Casal and “Hamilton” star Daveed Diggs, the film is as much a social observation of the aforementioned themes as it is a…

Movie Review: Most Likely to Murder (2018)

Nelson Mandela famously said, “There is nothing like returning to a place that remains unchanged to find the ways in which you yourself have altered.” As Billy (Adam Pally, “The Little Hours”) returns to his hometown for Thanksgiving, in the new comedy Most Likely to Murder, he is confronted with the myriad ways the place…

Movie Review: Hangman (2017)

The cop procedural is a struggling genre, at least as far as film goes. With so much new content provided weekly via television shows, there’s hardly any room to grow. Yet it remains one of the more popular genres viewed at home, and honestly, home is probably the best place to view Hangman, which hardly…

Movie Review: Overboard (2018)

The late 80s Garry Marshall directed romantic comedy “Overboard” starring real-life couple Goldie Hawn and Kurt Russell was a breezy, amiable vehicle suitable for the celebrity tandem’s collaborative cinematic exposure. The Hawn-Russell cheeky pet project was not necessarily a rom-com that waded in the deep end of watery hysterics, but it still proved to be…

Movie Review: The Executioners (2018)

“Scribbled, shot and cut by Giorgio Serafini,” read the titles at the end of The Executioners, as Tim Polecat’s jaunty song “Another Word for Hate” bounces on the soundtrack, as if what we just saw was all a bit of tongue-in-cheek fun. But there’s nothing fun about Serafini’s hateful home invasion horror movie. Four twenty-something…

Movie Review: Traffik (2018)

Writer/director/co-producer Deon Taylor (“Meet the Blacks”) oversees Traffik, a disposable mystery-suspense project with all the anticipation and edginess of sitting in traffic on the inner loop of I-495 West outside Washington D.C. His pseudo-tense thriller incorporates all the clichéd conventions imaginable: Pretty people in peril, normally smart people doing dumb things, remote romantic getaway shot…

Movie Review: Jigsaw (2017)

Jigsaw starts as a man runs from police to the roof of an abandoned warehouse where he finds a detonator marked by an X behind a beam. In the standoff that follows, he shouts that five people are going to die if Detective Halloran (Callum Keith Rennie, “Fifty Shades Freed”) isn’t brought to the scene…

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