Articles by Dominique Meyer

The Critical Movie Critics

An unabashed lover of all things film, Dominique Meyer is also an aspiring actor and Uber driver based in Dallas, TX. His hobbies include watching movies, breathing movies, living for movies, and consuming gratuitous amounts of cheese.


Movie Review: The Kill Team (2019)

In the opening minutes of The Kill Team, we see brief glimpses of optimism, national pride, and infantry brotherhood from our titular platoon of soldiers — all of which ends up shattered well before the ten-minute mark as the horrors of wartime and their effect on those involved make themselves abruptly known. Nat Wolff (“Home…

Movie Review: Running with the Devil (2019)

With one co-directing credit under his belt (“Smoke Filled Lungs”), writer/director Jason Cabell begins his sophomore film with a surprising amount of confidence. Leading with intriguing, juxtaposing images of torture and partying aided by a smooth soundtrack-driven flow, the opening scene of his first solo-directed feature Running with the Devil teases a style generally uncommon…

Movie Review: Driven (2019)

The first of two John DeLorean-focused films to be released in 2019 (the other being a documentary/re-enactment hybrid “Framing John DeLorean”), Driven does not adopt the typical biopic template. Rather, it positions itself almost as an eyewitness perspective to the entire scandal from the point of view of the FBI informer who ratted John DeLorean…

Movie Review: Phil (2019)

For some reason, 2019 seems to be the year of actors stepping into the director’s chair. Whether it is on limited circuits like Idris Elba’s “Yardie,” on streaming services like Amy Poehler’s “Wine Country,” or breaking out into the mainstream like Olivia Wilde’s delightful “Booksmart,” we are starting to witness an unusual spike in opportunities…

Movie Review: Hangman (2017)

The cop procedural is a struggling genre, at least as far as film goes. With so much new content provided weekly via television shows, there’s hardly any room to grow. Yet it remains one of the more popular genres viewed at home, and honestly, home is probably the best place to view Hangman, which hardly…

Movie Review: Wildling (2018)

Hot off its debut at the South by Southwest Film Festival comes Wildling, a horror-drama that focuses on a young girl named Anna (Bel Powley, “The Diary of a Teenage Girl”). Locked away in an isolated cabin since infancy, Anna only receives glimpses into the outside world through stories told by her Daddy (Brad Dourif,…

Movie Review: The Greatest Showman (2017)

The Greatest Showman is a confusing animal. Its opening frames begin the movie by displaying the familiar and orchestral 20th Century Fox logo used from the 50s through the 80s, implying the audience is in for a reverent throwback to the classic Hollywood musicals of yore. Then — literally six seconds later — the studio’s…

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