If I didn’t read otherwise, I’d swear Roland Emmerich was the director behind FilmDistrict’s upcoming film Pompeii. Why? Well because it’s got his trademarks all over it, including his oft-criticized, over-the-top, CGIed-to-death disaster sequence. Apparently, however, Paul W.S. Anderson, director of such bombastic outings like “Resident Evil: Retribution” and “The Three Musketeers” asked to borrow…
The tough guy renaissance is already drying up. The revival of macho 80s stars in action vehicles specifically designed to emulate the look and feel of the violent flicks these guys made a couple decades ago was never for everyone, but for a brief while, it was most certainly for me. Seeing Sylvester Stallone, Dolph…
Not to be outdone by Arnold Schwarzenegger’s trailer for “The Last Stand,” Warner Bros. has released the first theatrical trailer for Sylvester Stallone’s Bullet to the Head. Based on a French graphic novel, it marries a hitman (Stallone) and a cop (Sung Kang) both of whom are out for revenge on the one who killed…
A shapeshifting creature from outer space. Interesting (and a bit campy) the first time it was introduced to movie going audiences in 1951’s “The Thing from Another World” (which was adapted from the short story “Who Goes There?”). Downright fucked up scary in 1982, when John Carpenter updated the scenario and released “The Thing.” Clunky…
I’m not entirely sure why this latest trailer for The Thing is red-band; it’s got some good shots of the shape shifting creature, shape shifting and killing a scientist or two, but there isn’t anything that should raise the ire of the MPAA. But anyways, if you recall the original “The Thing,” it started with…
Replacing Kurt Russell with Mary Elizabeth Winstead? That’s gotta be counted as a strike against the remake of The Thing. Then again, maybe she has an inner Sigourney Weaver she can channel. From the first theatrical trailer which has debuted today, we can’t be sure. Unfortunately, there aren’t any instances of her directly confronting the…
After 100 rewrites and multiple directors, it was impossible to not think the absolute worst of G.I. Joe: The Rise of Cobra. Not screening for critics didn’t help the cause either. The reason for our occlusion became abundantly clear after viewing — those rewrites and reshoots added up to nothing more than expensive mediocrity; high…
