Chris O'Dowd

Movie Review: The Cloverfield Paradox (2018)

Anthologies are a kind of a risk/reward endeavor. It’s a great way to keep a series fresh and innovative, especially as age goes against it, but iconography can often ruin those kind of plans. Remember when “Halloween” was supposed to be an anthology series? Not only did “Halloween” become too popular for its own good,…

Movie Review: Molly’s Game (2017)

Since his screenwriting breakthrough with “A Few Good Men,” Aaron Sorkin has crafted himself an illustrious Hollywood career, which includes a nomination for the Best Adapted Screenplay Oscar for “Moneyball” and a win for the same for “The Social Network” as well as earning multiple Emmy awards for his work on the landmark TV series…

Movie Review: Loving Vincent (2017)

As you get immersed in the world of Loving Vincent you quickly realize that it is not the shiny technique alone that makes you feel as though you were floating inside Vincent van Gogh’s brushstrokes, but that, as happens with his painting, there is a profound love for the subject driving each and every frame…

Movie Review: St. Vincent (2014)

It is not hard to figure out where St. Vincent, the latest Bill Murray vehicle for comic grouchiness, is headed, but director Theodore Melfi makes you want to jump aboard and go along for the ride anyway. Murray isn’t exactly cuddly but, you know, every saint has some sinner-like traits. Murray, as Vincent, the next-door…

Movie Review: Calvary (2014)

In a world grown cynical, decency stands out, but often only to be mocked and abused. In Georges Bernanos’ novel The Diary of a Country Priest, a sickly, humble, and idealistic young priest pays the ultimate price for the spiritual lethargy of his parish, while Father James Lavelle (Brendan Gleeson) in John Michael McDonagh’s brilliant…

Movie Review: Cuban Fury (2014)

Cuban Fury is, among other things, the result of a drunken email in which Nick Frost asked his producer if she thought a movie in which he dances would be a good idea. Evidently she did, and so the film came about. It prescribes very much to Nick Frost’s style of humor, but many are…

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