Mary Elizabeth Winstead

Movie Review: All About Nina (2018)

In my limited estimation, there are few things more anxiety-inducing than the thought of getting up onstage, all alone but for a sweaty drink and rickety stool, and surrounding yourself with a room full with people waiting for and expecting you to make them laugh out loud. Nina Geld (Mary Elizabeth Winstead, “10 Cloverfield Lane”)…

Movie Review: 10 Cloverfield Lane (2016)

In the summer of 2007, I sat at the drive-in theater, waiting excitedly for Michael Bay’s “Transformers” to begin (it was my childhood on screen! Peter Cullen’s voice!!), and I was blown away by a trailer that no one saw coming. Choppy home-movie footage showed us a New York party that descended into chaos when…

Movie Review: The Spectacular Now (2013)

Sutter is brash. Sutter is funny. Sutter has charisma. Sutter comes from a nice home and has a part-time job. Sutter is popular. Oh, yes. Sutter also drinks too much. Based on a novel by Tim Tharp and written by Scott Neustadter and Michael H. Weber (“(500) Days of Summer“), James Ponsoldt’s The Spectacular Now…

Movie Review: A Good Day to Die Hard (2013)

John Moore’s new film A Good Day to Die Hard is the action equivalent of a chick-flick: It’s an hour and a half of highly predictable, mindless popcorn filler good only for the most ardent. The only thing it really gets right is it doesn’t take itself seriously — taking the action genre to the…

Movie Trailer: A Good Day to Die Hard (2013)

Yes, it is true. A fifth installment to the Die Hard franchise is coming and it is titled A Good Day to Die Hard. In it Bruce Willis reprises his iconic John McClane role to dole out an ass-whoopin’ to the Russians in their own backyard. To help him, and to presumably pass the franchise…

Movie Review: Abraham Lincoln: Vampire Hunter (2012)

It’s hard to imagine a movie called Abraham Lincoln: Vampire Hunter being highbrow cinema, but that’s exactly what director Timur Bekmambetov aspired of for his follow-up to 2008’s cult-hit “Wanted.” Unfortunately, in spite of its silly title (which hearkens back to grindhouse-era exploitation cinema), the film rarely cracks a joke and its über serious tone…

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