Dan is an author, film critic and media professional. He is a former staff writer for the N.Y. Daily News, where he served as a film/TV reviewer with a "Top Critic" designation on Rotten Tomatoes. His debut historical fiction novel, "Synod," was published by an independent press in Jan. 2018, receiving praise among indie book reviewers. His research interests include English, military and political history.
By the 1950s, Hollywood’s Golden Age was waning, its studio system crumbling in favor of “New Wave” films and younger visionaries. The wholesome names of the 1920s and ’30s were now the distant past, though their legacies would be cemented among Hollywood’s greatest. Nevertheless, pressing on amid this sweeping change were two iconic personalities of…
Mary Queen of Scots, Josie Rourke’s interpretation of rival queens in the 16th century is stilted and anticlimactic, with poor pacing and a weak screenplay that casts a rather conspicuous shadow over its two prominent leads, Saoirse Ronan (“Lady Bird”) and Margot Robbie (“I, Tonya”). Rourke, long affiliated with the London stage (she’s the artistic…
Zoë Kravitz’s (“Rough Night”) character in Fantastic Beasts: The Crimes of Grindelwald, Leta Lestrange, tells the franchise’s bashful hero, Newt Scamander (Eddie Redmayne, “The Danish Girl”), “You never met a monster you couldn’t love.” The line is actually quite interchangeable with the film itself. While the narrative is somewhat of a slog, there is just…
Damien Chazelle’s interpretation of the Apollo 11 moon landing is a visceral, emotive and carefully executed film, and a drastically different follow up to his Oscar-winning 2016 musical, “La La Land.” Based on strong source material from James R. Hansen, with a poignant score from frequent collaborator Justin Hurwitz and Chazelle’s celestial vision and tight…
The Nun, the fifth film in “The Conjuring” Universe, is a hugely flawed and underwhelming horror film that’s both plodding and formulaic. While the film, Corin Hardy’s sophomore directorial effort following 2015’s “The Hallow,” boasts convincing performances from scream queen Taissa Farmiga (“The Final Girls”) and Demián Bichir (“Alien: Covenant”), it fails to leverage its…
Chris Weitz, director of “American Pie” and co-writer on last year’s “The Mountain Between Us,” delivers a watchable and important effort in Operation Finale, depicting the capture and extradition of Holocaust mastermind Adolf Eichmann. It’s a well-intentioned take on one of the ugliest personalities of the 20th century. Yet, its middling characterization and preference for…
Jurassic World: Fallen Kingdom is, for lack of a kinder way of saying it, a prehistoric mess. Nestled between a passable 2015 sequel and a bookend to the trilogy coming in 2021, it is sloppy staging for what’s sure to be an underwhelming and anticlimactic third effort. Chris Pratt (“Avengers: Infinity War”) and Bryce Dallas…
