The ambitious psychological drama Blessid is sobering and challenging because of its unique brand of storytelling ambivalence. On one hand, director Rob Fitz’s (“God of Vampires”) unflinching narrative embraces the conventional elements of melodramatic mechanisms (i.e., the harried heroine, love and loss, strained marriage, the unlikely guardian angel, psychotic suitors, tortured childhood memories complimenting adulthood…
It’s tough being the new kid in school. You don’t know anyone around you or even if you will ever make any friends. There are so many circumstances that can make an experience like this unsettling. It’s even harder when you’re also new to an entire country and culture that doesn’t understand what you say…
What I want to say about Morgan is that it was a good idea that suffered from a poor execution. Unfortunately, I can’t say that, because, aside from a partial (which is wording it generously) explanation by way of a deus ex machina (which, contrary to what is ostensibly the belief of screenwriters at large,…
Well, the sixty-something iconic martial arts wonder Jackie Chan certainly has not entirely lost his cinematic A-game when it comes to his trademark kinetic-style kicks and punches that worldwide movie audiences have come to embrace in the legendary performer’s adventurous chop-socky film career. Sure, Chan’s acrobatic skills in comically kicking butt and taking numbers may…
Take four couples. Add various relationship issues. Sprinkle with neuroses and being more interested in others’ problems than your own. Blend in a grand house in Savannah, Georgia. Allow to simmer for 90 minutes. Serve up The Intervention, a rather creaky if well-intentioned relationship comedy-drama. Whether the film works for you or not will depend…
Tokens on a coffee table. Tokens on a different one. Tokens on the wall and on the shelves next to the bookcase of an old TV with VHS included. Tokens of a family life that has spanned for years, for decades, for the better part of one century. Portrayals of a timeline that starts and…
Following the well-laid plans of just about every pugilistic biopic ever made (with the exception of “Raging Bull” and “The Fighter”), director Jonathan Jakubowicz with Hands of Stone, plods along (just like his subject’s boxing style) in this familiar telling of the rise of a famous boxer, in this case, Roberto Durán (Edgar Ramírez, “The…
