The great African-American poet Langston Hughes in his poem, “As I Grew Older” asks us to help him find his dream. “Help me to shatter this darkness,” he asks “to smash this night, to break this shadow into a thousand lights of sun, into a thousand whirling dreams of sun.” Though for many minorities, the…
Mike Leigh’s film Mr. Turner centers on the last twenty-five years of the life of the acclaimed 19th century English landscape painter, J.M.W. Turner. Though the film, with the strong assistance of cinematographer Dick Pope, succeeds in capturing the look and feel of the time as well as the essence of Turner’s beautiful landscapes and…
For what is supposedly his final film, anime master Hayao Miyazaki ambitiously departs from his usual genre territory and yet still honors his innermost passions while once again expressing wonder through the imaginative eyes of its protagonist. The Wind Rises stands out in Miyazaki’s filmography because not only is it anchored in reality when nearly…
Walt’s schmaltz, both old and new, is on display in the cute little period piece Saving Mr. Banks, which looks at a particularly bumpy stretch on the Disney-paved road to turning Mary Poppins into a cinematic classic. There’s a war over sentimentality being waged between Disney himself (a warm, welcoming Tom Hanks here) and Mary…
At the beginning of the AIDS epidemic in the early 1980s, patients were advised to wait. In the six years following the first recording of the AIDS outbreak in 1981, more than 40,000 people in the U.S. died while waiting. In response to the clamor for action on the AIDS crisis, then Vice President George…
Philosopher Albert Camus said, “Good intentions may do as much harm as malevolence if they lack understanding.” Indeed, we have seen many examples in history of how ideology, no matter how well intentioned, can lead to disastrous consequences if not tempered with compassion and respect for the rights of the individual. We saw it in…
One man’s harrowing journey through a personalized hell has been the focus of each of Steve McQueen’s three features, but never has the metaphor been so effectively explored by the filmmaker as it is in his deeply moving fact-based drama 12 Years a Slave. McQueen’s penchant for precisely pointed perspective is applied again here, but…
