“You see, evil always contains the seeds of its own destruction. It is ultimately negative, and therefore encompasses its downfall even at its moments of apparent triumph” — Neil Gaiman In the opening of the film, The Power of the Dog, Peter Gordon (Kodi Smit-McPhee, “Dark Phoenix”), a Montana cattle rancher’s future nephew, whispers in…
“I was just thinking that of all the trails in this life, there is one that matters more than all the others. It is the trail of a true human being” — Kicking Bird in the film “Dances with Wolves” Kelly Reichardt’s (“Certain Women”) First Cow is a song to nature, a tribute to intimacy…
Although it supports a cast full of people you’ve probably heard of, Badland has the look and feel of a basic-cable Western. The acting is generally dispassionate, even dull, and the writing is third rate, to say the least. If you’re looking for an exciting action movie, you might be better off finding a test…
A progressive rage simmers at the despondent heart of Little Woods. It isn’t just that writer-director Nia DaCosta spends a busy 95 or so minutes examining how working-class economic anxiety often begets the toppling chain of dominoes in those trapped in it, but more so that she tells her story through the lens of a…
“Mid pleasures and palaces though we may roam, be it ever so humble, there’s no place like home” — John Howard Payne The Smothers Brothers they are not. Brothers Eli (John C. Reilly, “Kong: Skull Island”) and Charlie (Joaquin Phoenix, “You Were Never Really Here”) Sisters, known to all as the Sisters Brothers, are deadly…
In the film, Sweet Country, set in the bleak Northern Territory of Australia of the 1920s, there is a brief interchange between a hard-working, though weary and aging Archie (Gibson John), an Aboriginal cattle hand, and a wayward teenage Aboriginal Philomac (played by the twins, Tremayne and Trevan Doolan). Archie lectures the boy about their…
Altogether, Hostiles is both sprawling and narrow, profoundly tense and equally mellow. That might sound like a film of contradictions — a message too lost in the majestic western landscapes. That’s not quite the case, though. Scott Cooper’s western carries the same slow-burn sensibilities as his 2013 down-home thriller, “Out of the Furnace,” which also,…
