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Movie Review: Loveless (2017)

Whether or not it is designed as an allegory of modern Russia, no film in recent memory has examined the growing emptiness of human relationships with such expressive force as Andrey Zvyagintsev’s (“Leviathan”) Loveless, a heart wrenching drama about a couple on the brink of divorce whose emotional neglect of their son leads to devastating…

Movie Review: The Houses October Built 2 (2017)

Both the original “The Houses October Built” and its sequel, The Houses October Built 2, open with quotes about the dark, primal volatility of human nature. The first cites Walter Jon Williams’ well known “I’m not afraid of werewolves or vampires or haunted hotels, I’m afraid of what real human beings do to other real…

Movie Review: The Forlorned (2016)

From Andrew Wiest, director of the Christian fable “The Adventures of Chris Fable” (no, really), a bargain bin supermarket exclusive from 2010, comes The Forlorned, an inept, micro-budget horror movie. It aims low and delivers; and although it fundamentally fails as a horror movie — or indeed any kind of a movie seeking to tell…

Movie Review: Hondros (2017)

When writing about the death of Abraham Lincoln, poet Carl Sandburg said, “A tree is best measured when it’s down.” These words more than apply to the life of photojournalist Chris Hondros, a Getty war photographer and two-time Pulitzer finalist, who left a gaping hole in the world of journalism when he was killed by…

Movie Review: That Trip We Took with Dad (2016)

In 1968, the First Secretary of the Communist Party of Czechoslovakia, Alexander Dubcek, ushered in a program of reforms that he called “Socialism with a human face.” The new “Action Programme” allowed greater freedom of speech, press, and travel, limited the power of the secret police, and raised the possibility of democratic elections. The achievement…

Movie Review: Hell House LLC (2015)

Released nearly two years ago, it turns out that Hell House LLC wasn’t the complete package. Some intended VFX shots for the final sequence were never completed, and investor anxiety over breaching the 100-minute mark meant eight minutes of characterization was shaved from the original release. This “director’s cut,” which I saw, reinstates some of…

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