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Movie Review: The Dwarvenaut (2016)

Dungeons & Dragons. A fantasy mythos where people of all ages and from many walks of life come together to play with multi-sided dice and steadily build worlds of remarkable complexity and creativity in which elves, barbarians, warlocks, mages and dwarves embark on great adventures. A mythos that provides many with great pleasure and fulfillment…

Movie Review: Court (2014)

Winner of two major awards at the 2014 Venice Film Festival and India’s official entry for Best Foreign Film at the 2016 Oscars, 28-year-old Chaitanya Tamhane’s first feature, Court, is not a typical courtroom drama but a devastating look at the failings of the judicial system in India. Portrayed by mostly non-professional actors, the film…

Movie Review: The Man Who Was Thursday (2016)

“‘I suppose you are right,’ said the Professor reflectively. ‘I suppose we might find it out from him; but I confess that I should feel a bit afraid of asking Sunday who he really is.’ ‘Why,’ asked the Secretary, ‘for fear of bombs?’ ‘No,’ said the Professor, ‘for fear he might tell me.’” — G….

Movie Review: Bernie and Rebecca (2016)

Movies often attempt to capture the breadth of a whole life fully lived, but few do so with little more than a single breath. That’s the aim of the lovely little short Bernie and Rebecca, which elliptically plays the part of a comedy at either end of its running time, while segueing sweetly into more…

Movie Review: The Death of “Superman Lives”: What Happened? (2015)

What is it about “Movie-That-Never-Was” stories that endlessly fascinate us? You’d think we’re better off not knowing what could have been. From “Lost in La Mancha” to “Jodorowsky’s Dune” there’s always that stinging compulsion to know what sank the ship. And given the continually escalating popularity of the superhero genre, I find it appropriate to…

Movie Review: Macbeth Unhinged (2016)

Shakespeare is synonymous with adaptation. His work has produced mutations that continue to adapt to the most dissimilar environments. The bard has shown in the last four hundred years that no matter the medium, the channel, the period, the era, the genre, the generation, the technology, his work keeps fitting all conditions, even the most…

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