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Movie Review: Blade Runner 2049 (2017)

Let me be blunt for a second. “Blade Runner” never needed a sequel. Yes, I know. It’s a tired statement, I get sick of hearing it too. You could argue most movies don’t need sequels. But “Blade Runner” really did not need one, more so than others, and there are a number of factors contributing…

Movie Review: The Florida Project (2017)

It’s funny what language can do, the unintended irony behind words and concepts and colors that were likely never part of any authorial intent. But, then again, maybe they were. That’s the inexhaustible fertility of art; it transcends, whether it wants it or not, intentions. That’s the case with Spanish, still sprouting in a place…

Movie Review: Beach Rats (2017)

As spectators flock to see Billie Jean King defeat Bobby Riggs in straight sets in “Battle of the Sexes,” there is another tennis match currently playing on the silver screen. This battle of sexuality that airs before the full-length feature Beach Rats is a surprising cartoon short, in which a defending champion is struggling to…

Movie Review: Stronger (2017)

April 15, 2013. This infamous date would rock not only the Greater Boston/New England region but send a devastating shock wave throughout the nation and world. It was, sadly, the fateful day of the double bombing at the Boston Marathon. A day that would forever change and upset the lives of those victimized by this…

Movie Review: Friend Request (2016)

One would probably imagine that a creepy concoction such as writer-director Simon Verhoeven’s (“Men in the City”) bubble gum, horror/thriller Friend Request would take advantage of its exploitative ingredients to cultivate a half-way decent internet-based frightfest aimed at the under 30-something crowd. After all, where can one go wrong with a slasher featuring curvaceous collegiate…

Movie Review: Kingsman: The Golden Circle (2017)

Okay. Alright. Okay. Alright. So. “Kingsman: The Secret Service” was admittedly a surprise hit for most people. I, like many, found that it was an inventive, satirical yet loving take on the spy genre in just the right climate. Much like “Kick-Ass” before, Matthew Vaughn took an imaginative, but ultimately flaccid, concept of Mark Millar’s…

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