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Movie Review: Detroit (2017)

With Detroit, Oscar winning director Kathryn Bigelow (“The Hurt Locker”) and her team have put together a kick-in-the-mouth, knock-your-socks-off movie experience you won’t forget in a docudrama staging of the Detroit race-riots of 1967. Starting with a routine police raid of an illegal after hours club where the local residents harass the police as they…

Movie Review: Girls Trip (2017)

As of late the cinematic genre of choice happens to be the ostentatious antics of raunchy female groupings — something to feast on for the estrogen crowd. For the most part these “loose ladies of the pack” films have been profitable, whether bordering on the reputation of a box office cult hit like “Bridesmaids” or…

Movie Review: Landline (2017)

When spotlighting the dysfunctional familial factors in a period piece film set against the background of retro-urban rambunctiousness, it is a creative challenge to balance the ingredients involved: Underlying marital strife, sibling rivalry, adultery, emotional stagnation and fragile relations. In co-writer/director Gillian Robespierre’s nostalgic mid-nineties comedy, Landline, we are whisked back to a “vintage” time…

Movie Review: Killing Ground (2016)

The Down Under is home to danger — again. To the internet, Australia is “Nopeland,” deserving such a name after reading the various listicles or clips about lethal horrors that a person may find in the wild. Among them, crocodiles have had most success invading cineplexes, appendage-to-appendage with equally bloodthirsty bushmen. While we are waiting…

Movie Review: A Ghost Story (2017)

“And we’re lost out here in the stars. Little stars, big stars, blowing through the night” — Kurt Weill Though the consensus of mainstream science is that ghosts do not exist, people’s shared experiences throughout history tell us that disembodied spirits do wander the earth, unfortunate souls who are unable to let go of their…

Movie Review: Night of Something Strange (2016)

The one useful purpose that Night of Something Strange may provide is as an interesting counterpoint to another horror contemporary, “WTF!.” Both are modern takes on the 1970s and 1980s teen slasher model, and both depict shallow, reprehensible heroes getting slaughtered. But while “WTF!” succeeds as a critique of its protagonists’ vacuity, Night of Something…

Movie Review: The Little Hours (2017)

Can an independent comedy about 14th-century religious debauchery involving naughty nuns be a legitimate rib-tickler in a sluggish summer movie season of wacky, yet toothless, farces (e.g., “The House”)? Refreshingly it can be, especially if it is writer-director Jeff Baena’s boisterous and bawdy The Little Hours, a corruptible comedy that brings its satirical cynicism to…

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