Sony Pictures Entertainment

Movie Review: Grandma (2015)

Recipient of a Golden Globes nomination for Best Actress in a musical or comedy, Lily Tomlin (“Grace and Frankie” TV series) may be a bit over-the-top as the tough, outspoken, and cantankerous 70-something Elle in Paul Weitz’ (“Little Fockers”) Grandma, but she is also very funny and very real. If you’ve heard of tough love…

Movie Review: Dark Horse (2015)

Did you know that it takes a village to raise a horse? When it comes to cultivating anything: Time, patience, tenderness, love, and care are all essential. Many of us want something and success (in whatever area that excites you) is almost always on the top of the list. To experience the potential payoffs of…

Movie Review: Money Monster (2016)

One cannot overlook the Oscar overload of talent tapped to bring in the financial rewards for the tepid on-air monetary hostage drama Money Monster. Acting leads in George Clooney (Academy Award winner for “Syrianna”) and Julia Roberts (Academy Award winner for “Erin Brockovich”) and director Jodie Foster (Academy Award winner for “The Accused” and “The Silence…

Movie Review: Maggie’s Plan (2015)

Greta Gerwig plays Maggie, a young woman who wants to have a baby, but without the icky complications of the normal method. It’s artificial insemination all the way for her, and she has a guy picked out. His name is Guy, which is a good example of the offbeat humor in Maggie’s Plan. The plan…

Movie Review: The Bronze (2015)

Sometimes embracing an insufferable and delusional movie character can be a rewarding cinematic experience especially if the redeemably-challenged protagonist brings something to the table beyond the obvious despicable platitudes. In the crass sporting satire, The Bronze, the audience is supposed to unleash their wicked funny bones at the door for a former foul-mouthed Olympic blonde-haired…

Movie Review: Nola and the Clones (2016)

Writer-director Graham Jones (“The History Student,” “The Randomers,” “How to Cheat in the Learning Certificate”) can be astutely described as a lyrical Irish filmmaker with moving narratives that seem so personal and profound in dramatic simplicity. In Jones’s latest indie drama Nola and the Clones he helms yet another soulful exposition grounded in the given realities of…

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